Showing posts with label street. Show all posts
Showing posts with label street. Show all posts
Tuesday, July 24, 2012
Monday, May 2, 2011
Tuesday, March 8, 2011
The pre-fab hipness of Camden
Zoomed over to Camden Market

which once was a stable but since the 80's has been the stable for hip Britannica

yet it had the definite air of a well-established cutting edge, the commercially viable version of counter-culture, where hip is just another fashion to be followed and being alternative is a matter of hair color

now as a 36 year old white dude who only thinks of clothes in ways of "Does it fit?" and "Does it smell?" and thinks a haircut is good if it doesn't require more than 20 seconds of work after a shower, i'm much closer to hip-replacement than to hip, but still, i was disappointed. I was hoping to feel very alien and old and out of it, overwhelmed by the new and the groovy. Instead, i was amused by the classics being repackaged in smaller portions

and in tiny canine portions

but at no point did i see anything new, which made me think i was probably in the wrong place. Hip London must be far far away from Camden, for Camden is as cliche as a stencil of a palimpsest. It is the blunted and bluntly commercial version of what might have been sharp and edgy 30 years ago.
So i still have no clue of what is hip. What i find odd is that we've had a major technological revolution in the last 15 years with internet and cellular phones, which has affected almost everything we do in daily life, but in fashion and in music, we seem to get rehashes of old. I don't know, but the coolest thing i saw in Camden was this guy

maybe 'cause his clothes didn't fit. And they probably did smell.

which once was a stable but since the 80's has been the stable for hip Britannica

yet it had the definite air of a well-established cutting edge, the commercially viable version of counter-culture, where hip is just another fashion to be followed and being alternative is a matter of hair color

now as a 36 year old white dude who only thinks of clothes in ways of "Does it fit?" and "Does it smell?" and thinks a haircut is good if it doesn't require more than 20 seconds of work after a shower, i'm much closer to hip-replacement than to hip, but still, i was disappointed. I was hoping to feel very alien and old and out of it, overwhelmed by the new and the groovy. Instead, i was amused by the classics being repackaged in smaller portions

and in tiny canine portions

but at no point did i see anything new, which made me think i was probably in the wrong place. Hip London must be far far away from Camden, for Camden is as cliche as a stencil of a palimpsest. It is the blunted and bluntly commercial version of what might have been sharp and edgy 30 years ago.
So i still have no clue of what is hip. What i find odd is that we've had a major technological revolution in the last 15 years with internet and cellular phones, which has affected almost everything we do in daily life, but in fashion and in music, we seem to get rehashes of old. I don't know, but the coolest thing i saw in Camden was this guy

maybe 'cause his clothes didn't fit. And they probably did smell.
Tuesday, March 1, 2011
Monday, July 12, 2010
Tuesday, April 13, 2010
what to do with fountains
Sunday, April 11, 2010
on the solidity of rock
Though i do have a stone floor and its temperature and texture do annoy me, i am in general a fan of the material -just not as in-house floor covering. I think an aspect of it is under-represented in language, though, in expressions like 'stone cold' and 'rock hard'. I mean, yes, if you're gonna hit the road
it's obviously gonna hit back, but the point is
that it depends on the arrangement and placement of the stones. They can be uninviting to the touch

yet in the same light seem soft, and even quite sexy
But in the end, whether they be warm or cold, hard or soft, they are part of what protects us from further harshness and cold, part of our foundation. That part is expressed in our language only by this: it's rock solid.

But rock rocks, it should have a verb... wait. Ehm, right. Well, rock on, then.
it's obviously gonna hit back, but the point is
that it depends on the arrangement and placement of the stones. They can be uninviting to the touch

yet in the same light seem soft, and even quite sexy
But in the end, whether they be warm or cold, hard or soft, they are part of what protects us from further harshness and cold, part of our foundation. That part is expressed in our language only by this: it's rock solid.

But rock rocks, it should have a verb... wait. Ehm, right. Well, rock on, then.
Wednesday, April 7, 2010
shine on you crazy Rotterdam
Was in Rotterdam yesterday. A very long time ago, for a very short time, i used to live there, but i didn't remember it being this shiney
it was actually extremely shiney
even the work being done there was shiney

but the brightest shining star i found yesterday was the man waving goodbye to his girl in the shiney train, who kept waving till long after the point where his girl could possibly still see him

it was actually extremely shiney
even the work being done there was shiney

but the brightest shining star i found yesterday was the man waving goodbye to his girl in the shiney train, who kept waving till long after the point where his girl could possibly still see him

Friday, March 5, 2010
on tracks
Yesterday, as i was trying to find the right track

i was picked up by a little yellow train called Atlas, who was carrying the world with him, and wanted some company

as we went speeding over land

Atlas realized he was between tracks, and simply hopped over
he dropped me off where the busses waltz

watched by the Girl Who Isn't Afraid of Pink Sneekers
Soundtrack was provided by Paolo, the Saxophone player with One Purple Glove (he was inspired by both Michael Jackson and Prince, and came to this natural compromise)
Now i need to go clean my lens.

i was picked up by a little yellow train called Atlas, who was carrying the world with him, and wanted some company

as we went speeding over land

Atlas realized he was between tracks, and simply hopped over
he dropped me off where the busses waltz

watched by the Girl Who Isn't Afraid of Pink Sneekers
Soundtrack was provided by Paolo, the Saxophone player with One Purple Glove (he was inspired by both Michael Jackson and Prince, and came to this natural compromise)
Now i need to go clean my lens.
Labels:
architecture,
color,
light,
Mental meandering,
Metafictional,
photography,
portrait,
street,
travel
Monday, October 5, 2009
Monday, September 28, 2009
Wednesday, September 23, 2009
Row row row your home
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